recording

Commitment by Nick Bullock

Commitment: The scary thing about committing is that you are officially on the hook. The scary thing about being on the hook is that you might be taken to task for not seeing it through. And if you fail, not only do you let others down, but you let yourself down, and that doesn't feel good.

But commitment is also confidence, it's a way of publicly stating your intentions. It's a powerful statement that "yes, I can" is in action. And the funny thing is, even when you trip up and make mistakes, people usually respect those who have whole heartedly committed themselves to something (an ideal, a job, a process etc), and rather than hanging you out to dry, they tend to give you a second chance. The question then is how do we want to perceive ourselves (therefore have others perceive us)? Whether we commit a "take to tape" at a recording session or commit to a relationship, I think the answer is obvious.

commitment

 

this week in 52 in 52:

The Hand That Pushed:

to stream, go to: https://soundcloud.com/nickbullock/the-hand-that-pushed

Patience, Wisdom, Courage and Strength by Nick Bullock

Cartoon girl:guitar Strength (from Webster's Dictionary): the quality that allows someone to deal with problems in a determined and effective way

Strength is easy, it's really about taking action. Do it. Whatever that is. That is having strength. It has nothing to do with size, and everything to do with intent. To dare to dream is great, but it's in the first step, and the second step that strength is shown. So write your song, book a show, show your face... it takes strength to make those first steps (as well as every step there after)

Courage (again, Webster says): the ability to do something that you know is difficult or dangerous

Yup, strength's big brother. Before the step can be taken, you need to come to a realization that you are not doing what you were put here in this planet to do. This might be one of the hardest things to admit to yourself... "yeah, I don't love my job, but it does have great benefits" etc. I'm not shitting on anyones desires to lift themselves out of poverty, or anyones goals to make more money, but money is just energy, and so is courage. It builds until one day you say "f the benefits, i'm miserable". Whether your happiest when writing a book, or poem, or acting, or singing songs or whatever, courage is recognizing that steps (strength) that need to be taken, and admitting your truth. And doing it everyday if need be.

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Wisdom (Webster's Dictionary): knowledge that is gained by having many experiences in life

That's the thing... experiences... you don't know you love acting until you have the unique experience that comes with it. The first time I saw a guitar player doing his thing, I thought it was really cool. And, as a small child at the time, I remember thinking I wonder how you do that... Where are those sounds coming from? Fast foreword about ten years and I have the experience of picking up the guitar for the first time, and the wonder and frustration that comes with learning a new instrument. Fast foreword another ten years and I have the experience of going to school to study the instrument, and playing my first professional gigs with it. Maybe, beginning to build a little bit of wisdom on how to use the guitar properly, for me. Another ten years, and I have all the experience and wisdom that I have now (and i'm still working on it!). You can't fake passion, passion doesn't start with knowledge, but it can go hand in hand with wisdom. Without all my experiences, I wouldn't have cultivated whatever knowledge I do have in my early thirties about playing guitar, being a professional musician and making music. Without that wisdom, I wouldn't understand my passion nearly as well as I do, and I wouldn't be able to do what I do... Without the experiences and wisdom gathered, I would be lost. Even with courage and strength.

Patience:

More often than not, this is the one that I struggle with the most. But in all honesty, it might be the most important. When you're playing a solo live, improvising your way through with your band mates and friends, patience can be what makes or breaks the experience. When you're in the studio, searching for the right tone and part, patience is the saving grace, other wise you settle for less than what your creativity is demanding of you. When you're writing a song, patience is being able to take a deep breath, and stay present and with it until you've figured out the next line in the story you're telling. It's also knowing a good song when you have one, and not becoming negative about it when the first person you show it to/play it for doesn't loose his or her shit and have a come to Jesus moment like you think everyone one should. And patience is being able to smile and relax when you are meeting someone who wants to help you along your path to success. In this case, it's the comfortable pair of jeans that never looses its popularity, because patience tells you that you are worthy of success, and it doesn't really matter if the person you are meeting with right now actually comes through or not.  patience is being in it for the long haul... the long game.

Queen Cartton

*clearly none of this artwork is mine

A Case Study: "Say Yes" by Elliott Smith by Nick Bullock

elliott4 One of the best songwriters maybe ever. I don't think everyone gets him, at least not at first, but when he hooks you, his genius unfolds. It's not just the words, its the twists of melody and harmony, and how the notes and chords sweep the words along. I'm a big fan, obviously, but if you are unfamiliar, do your self a favor and check it out. I started with the album XO, and my writing, production and taste in music hasn't been the same since... all for the better I like to believe.

Case Study: Say Yes by Elliott Smith

A cold start and a nice descending chord progression played on acoustic... simple right, almost seems like its just another folkie doing his thing.

I'm in love with the world trough the eyes of a girl  Who's still around the morning after

Then the acoustic guitar becomes two acoustic guitars, panning immediately in time for the second half of this first verse. You also have an electric guitar appearing too, with his voice being doubled as well... maybe this isn't so cookie cutter after all. And I want to point out the lyrical/rhythmic phrasing here, without getting too music geeky, its so easy to follow along, and sing along... and the words are pretty straight forward and honest... simple and honest usually wins for me. More on that below.

We broke up a month ago and i grew up i didn't know I'd be around the morning after 

elliott-smile5002

Followed by the guitar playing the melody, panned on the right side still, then the second verse. Same simplistic beauty as the first. Again, that phrasing, and I love how the first three notes of the melody start by going up in register, as the guitar/bass line is moving down... yay for counterpoint! In general, the melody has more upward movement too.

It's always been wait and see A happy day and then and then you pay  And feel like shit the morning after  But know i feel changed around and instead falling down  I'm standing up the morning after 

Then the bridge, instrumentally, pretty much the same thing is happening... the doubling of the vocals, the electric guitar panned right, the acoustic doubled with one more or less down the middle, and the 2nd one panned to the left. That electric guitar is almost playing more lead type stuff, nice double stops... Also, worth it to mention that the bridge, depending on how you count it, is a five measure phrase.

Situations get fucked up and turned around sooner or later 

And then back to a quick verse: This is the first time in the song that he gives away his control, "you tell me"... I never knew what to make about that line, is he resigned to his role, resigned to play the fool, and he just doesn't care, or is there something more... the next section, I think, answers this, but I always wondered about this lyric, as if this is the point in the song where the main character is teetering... whats going to happen?

And I could be another fool or an expection to the rule  You tell me the morning after 

The second bridge! He harmonizes with himself, which he does really well, does it with two voices an octave apart too, which is a little bit different than what you would normally do... in a classic pop sense anyways... Other than that, it's the chord changes, and the extension of the bridge and phrase that is so cool, especially on the word "is" (and notice the electric guitar mimicking the vocals there too)... any you guitar playing songwriters out there, check that second chord out (thats how you use an augmented chord!). Lyrically, this is where he answers my earlier question, to me anyways... its not up to him who loves him and who doesn't. Just like its not up to me who loves me and who doesn't, who cares for me and who doesn't... these are all things out of my control, but we still have to ask. It's worth it in the end, even after the rejection, to ask someone to care for us, to ask someone to say yes. This moment right here, this is why I love this song, and its arguably one of my favorites by one of my favorite songwriters. Simple. Vulnerable.

Crooked spin can't come to rest  I'm damaged bad at best She'll decide what she wants I'll probably be the last to know  No one says until it shows and you see how it is They want you or they don't, Say Yes.

elliott2

And how does he end the song? With a dash of optimism... i think. And wraps it all up in barely over two minutes.

I'm in love with the world trough the eyes of a girl Who's still around the morning after

If you're a fan, there is a new documentary on Elliott called Heaven Adores You, you can find more info  here:  https://www.facebook.com/HeavenAdoresYou

https://www.youtube.com/watch?v=TGB8meDWQeQ

What song or artist should I do next??

 

Infinitely Available by Nick Bullock

Infinitely available... Probably the most important thing you can ever be. The biggest gift to someone else is your time. That is the most precious possession we own, because we only have one life, and it goes by fast.

When you are meeting a friend for coffee, or going on a date with your husband or wife or girlfriend or boyfriend, give them your full attention. Look at them when you listen, and look at them when you speak. Smile with your eyes. Those non verbal cues are the most important.

When you are writing a song with a friend, give their ideas 100% of your attention. Really listen. If both of you do this, the inspiration will run over, and you will write a great song.

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When you are making an album, put away your phone. Listen to what the guitar player just overdubbed, and cheer him or her on. Tell them what it was that was awesome, before you say anything else. Be goofy, make jokes, and laugh with your band mates. Celebrate at the end of each stage. Even if it is just a high five.

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Be like a puppy, infinitely available. As best as you can. In the end, your art, your relationships and your life will have more of an impact.

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Thanks to GoodSex for a great week of recording. I love your songs, and I'm excited to mix this record!

 

Death to a Musician is... by Nick Bullock

What have you listened to lately? What have you challenged your ears and musical tastes with lately? GD Public Enemy

I heard someone say this weekend that if you're listening to the same things that you listened to five years ago (or fifteen years ago etc), then you're not growing. And not growing is death to a musician. 

Dookie thriller

This got me reflecting on what exactly I have been listening to lately. My current and past musical DNA if you will. Since moving to Nashville, I have definitely been challenged to "get into" things that I normally never would. Not because I would refuse to listen, more because I never would have been exposed to these new sounds in my former surroundings. I'll be honest, I don't love it all. But there are nuggets of greatness in almost everything. Every day, by being willing to listen to new things, I grow as a songwriter and a producer. Which in turn, helps me do a better job in realizing the dreams and goals of the artists I work with, gives me new inspiration and new techniques to try as a songwriter, and new vocabulary for this beautiful language we call music. From Eric Church, to Lourdes there are a lot of crazy and creative new ideas flying around, so I challenge you to listen to it all. The cool and the uncool. Eat it up, consume every dotted rhythm and inverted arpeggio, every auto tuned vocal, and every raspy whisper of Tom Waits.

Dino Jr Junta arcade fire S Cook

I challenge you to listen to something you would never have "liked" before, in your past musical life, and write down five things that you like about the song. I'm going to do this right now with a Taylor Swift song (yup, thats right, T. Swift!) to see if I can prove my point, here we go (by the way, I've never heard this song before right now):

https://www.youtube.com/watch?v=8xg3vE8Ie_E&list=AL94UKMTqg-9Ds071vp-9iWci4ryhkG4Us

1. harmonics in the banjo in intro: who doesn't like harmonics! 

2. guitars panned r and l at 1st vs: I'm a sucker for panned guitars, especially when they are doing the cool layering type of parts, not just out right strumming

3. the scarlet letter you were Juliet line is a good one in the 2nd vs: it stuck out to me, I couldn't type fast enough though to get all the words down right here.

4. the pizzicato in the violin at the breakdown: sometimes I forget that you can pick at the fiddle, you don't always need to bow it... a nice reminder

5. i like the simplicity of the instrumental, and how the fiddle sounds more like a guitar... a little coldplay in terms of the rhythm/phrasing: just a cool and creative instrumental break, not a solo per se, which is a nice change

Trane A go go XO BTS

Well, there are my 5 things. For the record, at first listen, I see why the song has over a million you tube views, it's catchy, it pulls at the ol heart strings... I think the song is good, but I don't necessarily like it. And really, whether or not I like it is irrelevant. The important part is that the next time I'm recording a banjo, maybe I'll think to have the banjo play with harmonics instead of the actual fretted note. Or maybe I'll ask the fiddle player to play it pizzicato instead. There is a whole big world of inspiration and ideas out there, we just have to be open and wise enough to know that we should be looking and listening for it in even the most unexpected of places. Once again, if you're only listening to the same music you listened to in your past, you're musically dying.

What song did you try the challenge with? What did you like about it?

ps: I have to congratulate Danny Sierra on releasing his first EP this week. Danny was the first artist that asked me to work with him when I moved here some months ago. He is an amazingly talented songwriter and singer... you can check him out at http://danielsierraleone.bandcamp.com Go Danny Go!

Bob Marley, Redemption and Me by Nick Bullock

I'm not really a fan of Reggae, as I'm sure my old friends (and old band mates especially) can attest to, especially living in such a small hippie town for so long before moving here to Nashville. It often seemed like it was everywhere in little ol Ithaca NY. It's not that it isn't good, there is some great stuff out there, especially some of the older recordings, but in general, I always felt distant from it. Maybe I was just over saturated with it at one point and got jaded. But once upon a time, when I first stared to play the guitar, I learned Bob Marley's Redemption Song. The intro lick was easy, but for the beginner still posed a little bit of a challenge, and the chords were all nice and simple. It was, and still is a great camp fire song. And truth be told, I had heard Dave Matthews perform it, so it was obvisouly cool (does Dave Matthews count as a guilty pleasure now?). This was when I was young, impressionable, and susceptible to the hippie jam band culture, and I inhaled it all whole for a long while. Only to reject my younger musical ways as I got older and grew into my own skin.

Which brings me to last night, as I'm driving my car home and listening to the radio. When the song starts to play and I hear that opening guitar lick, my immediate instinct is to switch the station, and my hand reached out to do so. But for some reason I stopped, hand hanging in the air, half way to the radio dial. I started to listen, really listen again. And the words cut through all the bullshit in my mind. I was reminded again of what I knew at such a young age, the lyrics are genius, and even more so moving. Not because they are clever, or hip, but because they are honest, and go way beyond the initial meaning. And I'm not going ot really get into what that initial meaning is, or pretend to understand the mind and soul of another man and his intentions for writing a song, but I will say that the lyrics are undeniably universal. And I was reminded that maybe some things from my past are worth rediscovering, and that I should suspend my auto-discard impulse response. Who knows, maybe I'll dust off the old patch work pants... probably not.

What stories from "yesterday" can teach you something new "today"? What songs have new meaning to you in your life today?

Bob 2

photo taken off the internet, not from me :)

 

Everyday by Nick Bullock

Everyday: read a book in your field

write a song

songwrtng

teach someone younger than you

teach

listen to your favorite vinyl record

vinyl

go to a house show

houseshow

go to a big concert

bigshow

kiss your wife, husband, boyfriend or girlfriend

tell a friend you love them

schedule a coffee meeting with someone you admire

Calenadar

learn something new about gear

gear

look for a mentor

go to the gym

record music with your friends

studio

smell the flowers

flowers 7

...or, if you're like me, take a breath, and do what you can today, and trust the process.

 

Ten Thoughts on Touring by Nick Bullock

Do you ever wonder what it's like to drive cross country with your best buds and play music that you love? If you are thinking about making that move, here are some thoughts on it that I hope you'll find helpful. tour

I miss touring! I spent about ten years of my life playing well over a thousand shows and living out of a van. Touring with the same guys night in and night out. We were lucky, we made our living playing our music for audiences around the country. Touring can be such a fun way make a living, and it can be a very tough lifestyle. Here are some thoughts/tips/advice (call it whatever you want)...

1.) Don't be an ass and drink when it's your turn to drive.

Seriously a dick move here. It's a great way to build resentment in the van, and can make for a very angry band in the morning, and at the next show, which of course, an audience can pick up on. Pull your weight, I don't care what you play.

2.) Set up your merch every night, even if you don't want to. When the show is over, go and hang out by the table.

An obvious one it would seem, but I've been to so many shows where it'll be 4 or 5 bands on the bill, and only two of them have their shwag out and viewable. Even if you don't have any t-shirts, and the record hasn't come out yet, at least have a snazzy mailing list, a pen (yes!) and a light by which to see. Also, when you can, place the merch by the door, so people walk by it on their way out.  (Admittedly, I could take my own advice here sometimes too!)

3.) When you crash with strangers, treat their house with respect, make your bed, do the dishes, say thank you with your actions, not just your words.

The strangers you meet on the road are the real reason we do this. They are friends in the making and fans for life. It builds good will, and the next time you're in town, they are likely to have you over again, come to the show, tell all their friends that the coolest band in the world is coming to town etc.

4.) Try not to eat at too many greasy spoon joints.

When  I finally learned this lesson, I started the habit of packing and bringing some healthy food with me, especially on the shorter runs of shows. You aren't always in control of what your eating options are, but make healthy choices when you can. A good trick is to shop for breakfast at a local grocery store instead of the diner. More now than ever before it seems like they'll have an organic section with some healthy options. If you're touring, your in it for the long haul, your gut (and your wallet) will thank you.

5.) Be on time, even though no one else will be.

Hurry up and wait is the name of the game. But being on time is a good way to build trust with venues and promoters, even though most people won't be. It is also a good way to guarantee you a sound check, which will make the show that much better.

6.) Never, ever, ever talk shit about another band you are playing with. 

Word will get out, and it's not the other bands that will suffer, you'll be known as a prick. Don't be a prick.

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7.) Don't stare at your shoes.

The show is for you, AND the audience. Look at them, or at least pretend to. I still struggle with this one sometimes, but inevitably, when I come out of my shell, the show takes a turn for the better. Have fun, you're playing music.

8.) Tip the bartenders at every show.

They, more often than not, have the ears of their bosses, and promoters. Treat everyone you meet well, and they will more than likely remember you for it, even if it doesn't seem so at first. Oh yeah, and of course when you do meet an asshole, ignore them.

9.) Give your band mates space when they need it. 

Everyone gets pissy now and again. We miss our significant others back at home, we're hung over, we don't want to drive 5 hours today, we're missing the game, whatever the case, don't take things personally. If someone says something that (you know) they don't really mean, let it roll off your shoulders at the moment, and when calmer heads prevail, bring it up then if you really need to (maybe after the kick ass sold our show you just played). Communication is of course key, but timing is a good thing to get a feel for too.

10.) Stop to smell the roses.

There are so many wonderful experiences to have when you're out there on the road, playing show after show. You're with your best friends (at least some of them!), you're getting to see the country and meet so many cool people, making friends every where you go. Don't take it for granted. Some of those friendships I formed I still cherish dearly to this day. Stop and smell the roses, and smile.

So what did I miss?? What are some other things that every band should know when they start touring?

Case Study: Arctic Monkeys "Do I Wanna Know" by Nick Bullock

arctic-monkeys-2013 Do you ever wonder how they do it? When you hear that song that just kills you with it's goodness? It doesn't happen to me everyday, but when it does, it hits me like a ton of bricks. So I thought I would share this with you, you lover of music, you songwriter, you producer.

Writing a great song isn't the easiest thing in the world, but sometimes if we listen with the right mind set and ears we can sneak a peak, lift the vail, and understand the creative decisions that were made. And when we do, we are blessed with new ideas and influences for our own music, and it will push us all to create better art.  It can help us to write a great song.

This week i'm choosing Do I Wanna Know by the Arctic Monkeys. Here we go!

Intro/1st Vs

It starts with the kick drum, and maybe some claps, definitely some kind of cool percussion sound with lots of reverb... for only two measures, then come the guitars, panned left and right. Anyone who knows me, or has worked with me knows I'm a sucker for panned guitars, they just sound so good! So the guitars start this riff, and as you will discover, this riff is really the basis of the song. It's cool when a song doesn't stick to the classic chord changes kind of vibe, and instead is based solely around this cool melodic idea. The band does it really well here. What is really like about this one, and what I think separates it from the rest is that it is a four bar phrase, which is long, and makes it more interesting for me. Then the vocals come in, and I really like what they did with the subtle reverb/slap back on his voice, it is, on the surface, pretty clean and it sits nicely with the drums/percussion/guitars. I almost forgot the bass! The bass entered with the guitars, but is tucked in nicely, a round-ish tone, that doesn't scream for attention, and is just sitting there (great!). Also notice that it is cherry picking certain notes of the guitar riff, and not playing the whole thing.

Pre-chorus/Chorus

Nice BGV's (back ground vocals), and you gotta love that the tambourine on beat 4. There is also a tremolo guitar that they added to both the right and the left speakers, as well as a feedback sound in the right. Both of those sounds continue through the chorus. The tambourine goes to beat 2 and 4 for the chorus, as well as another guitar gets added right down the middle, which is interesting to me. The vocals are nice here too, they take the BGV mentioned before and sing the main melody an octave above, along with the lead vocals. And lastly the drums open up a bit more, with crashes on the cymbals. It's interesting here that they really keep the drums way back in the mix, with the exception of the kick and the percussion I mentioned in the intro (which goes all the way through the song).

2nd Vs/Pre Chorus

Almost always my favorite thing to really mess with. It's almost like the second verse is really the place to pull out the special stuff, try some way to make it different, pull a little bit of the magic out. This is of course not the rule, but I am always listening for how other artists/producers treat the 2nd verse. They do it really cool here, yes the percussion stays, but they drop the guitars out all together for the first half, just leaving the lead vocal, and that unsuspecting bass. They also add some BGV stabs, at the ends of phrases, a cool idea. The tambourine gets added to the 2nd half of the verse on beat 4, as well as the guitar riff. similar to what it did in the prechorus. There is a nicely timed little pause that leads right into the prechorus, and I didn't mention this at the first prechorus, but the fuzzy/feedback guitar leads the song really nicely into the prechorus, and it's even more obvous going into the second prechorus because of that pause. Again, all the same instruments that were present for the first pre chorus are present here at the second.

2nd Chorus

Again, all the instruments that were there in the 1st are there again, there is a cool piano or guitar upper register octave thing that is playing on the down beats, as well as a slinky guitar melody that is way back in the mix (which doesn't get added till about eight measure in). There is also a great call and response happening throughout the first eight measures, that is a little different from the first chorus. There is still the octave above BGV. At first, you're thinking ok, cool, they added some more elements to the music, but this chorus is just like the last one, then the next eight measures start and you realize, oh shit, they are repeating the pre chorus here, but with the chorus treatment, that is pretty cool. Then they do what I think is my favorite part of the whole song, throughout the next eight measures, they combine the two, the pre chorus melody/lyrics, the chorus melody and lyric, they both kind of circle each other, while the guitars/bass/drums and all the other wonderful sounds are swirling all around. Pretty rad move there arctic monkeys, I like your style. All thats left is the vamp out, with the slinky guitar melody repeating (which is actually two different guitars, one backwards, and one playing a melodic, single note staccato part), and the big guitars. The drums slowly fade, and your left with the kick, claps, and guitar riff... Pretty awesome.

You tube video: https://www.youtube.com/watch?v=bpOSxM0rNPM

Give it a listen and tell me what I missed? What song should I do a case study of next?

 

You Never Know Who's In The Room by Nick Bullock

brodge 3 When I meet people, I imagine that one day they could be president.

It's good to be aware that there are many times in the life of a musician (or any profession for that matter) where we need a helping hand, and you never know where that helping hand will come from.

In my twenties, I made most of my living touring the jam band circuit across the country. Like most bands, our earliest fans were our friends and roommates. One such friend/roommate was Mike, who after moving back to Boston post college, introduced us to one of his best friends, Andrew. As we continued to tour more and more, we became just as tight with Andrew, and once Mike moved to California, we would stay with Andrew at every Boston stop on tour.

Fast forward a couple of years and Andrew is working for a licensing company, and getting our music placed on TV shows, getting us massive exposure and a good pay check. To this day, Andrew is still championing the music I make and write to different TV shows, movies and the like.

You never know who is in the room, you never know who will be a new super fan and can take your music to the next level, you never know who will be the one to give you that helping hand. It pays to be aware, and genuine. It pays to be humble and to love. Build your bridges with concrete hand shakes and look people in the eye, it pays.

Do you have a story of unexpected help or surprise friendship? Share it in the comment section below.

bridge

Swearing Popes = No One is Perfect and The Gap by Nick Bullock

The Gap So I missed a week. When I started this blog, I promised myself that I would do it every single week, no matter what else was going on. I think sometimes I bite off more than I can chew. Maybe you can relate? I get mad when I break promises to myself, even unreasonable ones, but then I remember that no one is infallible. Even the pope let the "f word" slip out and into the microphone, throughout St Peters Square https://www.youtube.com/watch?v=4jUt0AY8mXY. Though my intentions are good, I make mistakes, we all do, and it's easy to beat ourselves up over it. The important thing is that I/we keep going, and get right back in the saddle... Regardless of what caused the slip up, if we believe in what we can achieve, we have to keep going and growing. In my case it was just being too damn busy and over scheduling myself, but other times it's fear that can paralyze me, or self doubt, or procrastination. I saw recently, as I'm sure some of you already have, a great video on this topic of "just keep going". It is entitled The Gap, by Ira Glass and Daniel Sax. Please check it out! It's great. http://vimeo.com/85040589.

The Gap 2

So here's to another week, where I get to reinvent myself all over again, I get to raise the stakes again, I get to  challenge myself again, I get to laugh at my shortcomings again, and I get to tell myself to chill the f out, again.

What do you want to challenge yourself with? What do you want to laugh about this week?

119-courage-do-on-ebrave-thing-today-then-run-like-hell

New vs Old, Why Jack White Is Wrong, Kind Of by Nick Bullock

Let me start by saying that I am indeed a (fairly big) fan of Jack White. I have seen him perform live, I own a bunch of his records, my favorite possibly being the first Raconteurs record. My love affair with Mr White goes back to the White Stripes. So when I saw that he and Conan O'Brien had a sit down, informal, chill/hang/interview, I stopped whatever I was doing and sat there on my couch with my laptop in complete attention to two of my favorite "celebrities" yucking it up, talking about music and life. Check it out. Jack White and Conan O'Brien

One of the topics that they carry on about, quite a bit, is about how digital music and technology has hindered       our experience, as a mass, and gotten us accustomed to auto tuned vocals, non-performances and the like. I am paraphrasing here quite a bit, but if you're interested, go to minute 24, through about 27, and listen for yourself.

Jack White

I have conflicting feelings about this. I too love real performances. I love singing/playing guitar on a track that I know I can do well, or working with musicians that are amazing. I hate the idea that people can just go in, move some things around in an edit window, and come out with a brand new "performance". I love the accidental little mistakes that make a track sparkle with humanity and emotion. I love the sound of analog tape, and all its gooey warmth. That all being said, it is 100% impossible for me to pursue recording the same way Mr White does. Number one, I don't have tens of thousands in disposable income to spend on buying, and maintaining (by which I mean fixing) old analog equipment and tape machines. I did actually own an eight track tape/recording console (Tascam 388) before moving to Nashville, but I sold it before moving down here. I was a little afraid of what kind of damage would happen to it in the move, and truthfully I spent more time elbow deep in it trying to figure out why it wasn't working properly than I actually spent using it. Number two, I have to work hard and fast to make my income as a musician/producer. I don't have the luxury of taking all the time in the world to record in an all analog environment. Case in point, I have a band coming in today to knock out two songs in two hours. This is going to be hard enough to do without having to rewind tape every take, or punch in after the fact, or god forbid have to splice anything.

tapemachine

So, I love Jack White, and I would love to have Jack White produce me one day, and have him school me in analog mastery. I would learn a lot I'm sure. And I love the idea of performing all to tape, dumping to 2 track and mastering on the way, but it just isn't practical. Whenever I work in the role as producer/engineer, my first thought is to always serve the song and artists vision. The how of that comes second, and at the end of the day, I'm not sure the how matters much if you are being true to the artistic vision. I have heard it said, and believe art to be about conception, with execution coming second.

I would love to hear what my musician/engineer/producer friends think on this, as well as what the casual music lovers think too. So what do you think?

Conan Jack

Listening: The Art of Telling a Story by Nick Bullock

Slowly but surely, I'm getting better at writing songs. It is a craft as far as I'm concerned, and yes, sometimes we stumble upon complete luck/grace/inspiration and we can write a great song that seemingly comes straight out of thin air. But even that scenario smells of sweaty preparation to me. So I practice, and I write a lot. The David was not created by a man who was picking up the chisel for the first time. We, as humans, learn and get better. We soak in our surroundings and even despite ourselves, we allow it all to influence us and the art we produce. Since moving to Nashville I've made it a priority to get better at listening to the new people I meet. Really listening, not just shaking my head and thinking of my response even before they're done speaking (which can be very hard to do). It is a skill that I think many people take for granted, and one that I want to get better at.

There is a wealth of inspiration that can bubble up when you meet someone for the first time, and hear their unique story, and not just hear it, but feel it. I want to start paying attention more, and capture that empathy, and maybe a bit of someone's story in the songs I write. I wonder if we could wipe away writers block if we practiced our art in the context of listening to the world around us.

When I really listen, I am also a better husband, friend, producer, musician, brother and son.

Writing a great song is often a result of telling a great story, and there are so many amazing stories out there.

Have you ever created anything after being inspired by someone's personal story or journey?

thebeatles     Dolly neal

Duke   stevie

BobbyD   barry

 

Friends Who Write Songs Together Stay Together by Nick Bullock

This past week has been a fun one. Some dear friends of ours, on their way here to visit us from upstate NY last Thursday, had some rather bad auto-mechanical failures. In other words, they need a new transmission AND clutch, and it was on a truck that they had just purchased three days before, and they drove all the way from NY to Colorado to pick it up. So, basically a cataclysmic failure of a trip. But they took it in great stride, and despite the unexpected, but considerable dent in the wallet, I have been amazed at how calm, collected, and positive attitude-ish they have been. And we have made the most of their time here. We've eaten at some great Nashville restaurants, we've gone out to bars, cooked meals, watched movies, dealt with a clogged kitchen sink, and played cards. And two days ago, after reading a passage from the book "Thinker-toys", we decided to write a song together about the experience. Maybe you've heard of the "Exquisite Corpse" before? In the book, this particular exercise outlines a set of instructions that focuses on group thinking, and cohesion. I won't go into the exact details (you should read the book... very good), but the basic idea is you take random words that each person associates with the given topic without over thinking, and you then have a brainstorm session, and for our purposes, write down together any phrases that come to mind once everyone has shared their words. Essentially taking two different and seemingly random words, and connecting them. Some of the repeating ideas or words were: clogged sink, Nashville, train tracks (they back up to the studio), broken down trucks, garbage disposals... you get the idea. Later we went in the studio to turn these phrases, ideas, and lyrics into the realized song.

The whole process was totally different compared to how I normally work. It was also with people who are dear friends, but people I have never had that kind of working relationship with before.

I am constantly and pleasantly surprised at the genius that can happen when people are excited working in the  cooperation zone together. There seems to be a new level of awareness that becomes apparent when people are in to making it happen. It takes honesty, and a commitment to listening and understanding before speaking.

I can't wait to take this same spirit and energy to the production/engineering sessions I have coming up, and my first co-writing sessions too.

What is your process for writing? What tips or techniques do you find inspirational or empowering?

EricAndNick

Eric wearing the magical Wizard Hat...

KimandEric

Kim rocking the Tele...

Meredith was the one taking the pictures...