Analog

Some helpful songwriting ideas by Nick Bullock

songwriting photo Below are some thoughts on songwriting that I have found helpful. Whether a novice, or a hall-of-famer pro, I hope you you find them helpful too.

always keep a pen and pencil near (or your iPhone).

sometimes you need the idea for the song before you write it, meaning, it's helpful to have the hook already, something that we can all relate too. the rest of the song usually just writes itself once that ball is rolling.

we will write shitty songs, it's inevitable. when we keep at it, we will also write good ones, maybe even great ones.

try writing with a secondary instrument, or even an instrument that you don't know how to play at all. this can sometimes spark that 6th sense/creative instinct that can sometimes lie dormant.

all of the ideas are already out there, floating around in the air, listen for them, and they will find you. there is an endless amount of creativity out there. it will never end.

eavesdrop on other people's conversations. they sometimes say the coolest things. there has been more than one occasion a line has fallen in my lap by sitting at a bar with my note pad by myself and listening to what people are saying around me.

copy the greats. do it, you'll be better for it. i need to do this one more myself, but every time i have, i've learned a ton.

words matter. for some, they come really easily, for others, the music comes way easier. whatever is your case, words matter, so take your time with them if you need to.

all you need is three chords and the truth- sometimes, but most of the time this is absolute bull shit. take away the three chord stipulation, and leave the truth part.

now to contradict myself, simplicity rules! when i graduated with a jazz degree, i had to put at least two seventh chords in every song, and guess what, most of those songs sucked!

if you want to write a hit song, sometimes you have to pander to the lowest common denominator. if you want to write a great song, speak your truth. rarely the two meet... al least speaking from a lyrical point of view.

write all types of music, pop, country, rock, edm, classical... try your hand at everything you can. you'll learn something new from each category, which can be channeled into your own personal work in really cool ways.

lastly, JUST KEEP DOING IT. writing is a skill, it is a craft. the best writers do it all the time, yes, as i mentioned above you are guaranteed to write a bunch of crap, but as you do it more and more, you'll start to see what works, what mechanisms exist, and the best way to apply them. you'll learn to strengthen your voice, and be more confident in what you have to say. you'll learn and you'll keep getting better.

what songwriting tips or ideas do you have? what are some of your thoughts concerning other artistic processes? please share!

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New vs Old, Why Jack White Is Wrong, Kind Of by Nick Bullock

Let me start by saying that I am indeed a (fairly big) fan of Jack White. I have seen him perform live, I own a bunch of his records, my favorite possibly being the first Raconteurs record. My love affair with Mr White goes back to the White Stripes. So when I saw that he and Conan O'Brien had a sit down, informal, chill/hang/interview, I stopped whatever I was doing and sat there on my couch with my laptop in complete attention to two of my favorite "celebrities" yucking it up, talking about music and life. Check it out. Jack White and Conan O'Brien

One of the topics that they carry on about, quite a bit, is about how digital music and technology has hindered       our experience, as a mass, and gotten us accustomed to auto tuned vocals, non-performances and the like. I am paraphrasing here quite a bit, but if you're interested, go to minute 24, through about 27, and listen for yourself.

Jack White

I have conflicting feelings about this. I too love real performances. I love singing/playing guitar on a track that I know I can do well, or working with musicians that are amazing. I hate the idea that people can just go in, move some things around in an edit window, and come out with a brand new "performance". I love the accidental little mistakes that make a track sparkle with humanity and emotion. I love the sound of analog tape, and all its gooey warmth. That all being said, it is 100% impossible for me to pursue recording the same way Mr White does. Number one, I don't have tens of thousands in disposable income to spend on buying, and maintaining (by which I mean fixing) old analog equipment and tape machines. I did actually own an eight track tape/recording console (Tascam 388) before moving to Nashville, but I sold it before moving down here. I was a little afraid of what kind of damage would happen to it in the move, and truthfully I spent more time elbow deep in it trying to figure out why it wasn't working properly than I actually spent using it. Number two, I have to work hard and fast to make my income as a musician/producer. I don't have the luxury of taking all the time in the world to record in an all analog environment. Case in point, I have a band coming in today to knock out two songs in two hours. This is going to be hard enough to do without having to rewind tape every take, or punch in after the fact, or god forbid have to splice anything.

tapemachine

So, I love Jack White, and I would love to have Jack White produce me one day, and have him school me in analog mastery. I would learn a lot I'm sure. And I love the idea of performing all to tape, dumping to 2 track and mastering on the way, but it just isn't practical. Whenever I work in the role as producer/engineer, my first thought is to always serve the song and artists vision. The how of that comes second, and at the end of the day, I'm not sure the how matters much if you are being true to the artistic vision. I have heard it said, and believe art to be about conception, with execution coming second.

I would love to hear what my musician/engineer/producer friends think on this, as well as what the casual music lovers think too. So what do you think?

Conan Jack